Hey Everyone!
I have a brand new blog site at https://www.innovativeediting.com/blog/, where I'll continue to post my crazy quirks and writing insights every Monday and Wednesday.
Starting next week, you'll also find posts specifically geared toward explaining writer-related jargon... challenging you to take your book-in-the-making seriously... and encouraging you that, yeah, you really can do this.
While you're checking all that out, feel free to download the special report "Writing Tips 101" or reach out for a free consultation about the novel or non-fiction project you're working on. Wherever you are in the process, I'd love to hear about it.
Happy writings!
Jeannette DiLouie
Chief Executive Editor
Innovative Editing
www.InnovativeEditing.com
717-312-4436
Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts
Saturday, February 11, 2017
Monday, December 14, 2015
Unless You’re a Robot, Don’t Do This
I
started reading a book yesterday. I also finished reading it yesterday.
It
wasn’t because I was transfixed. I put it down after five pages because I was
bored.
I
picked it up because I was in the mood for a thriller, because the title caught
my attention and the description seemed compelling. It’s by a fairly famous
author who I’d heard about before but never actually read.
I’d
say he doesn’t deserve such recognition, but I’m going to give him the benefit
of the doubt and say that, maybe, the novel I bought was an off-book for him.
Maybe he’s normally just as thrilling as his reputation says he is, and this
was an anomaly.
Problem
is, even if that is true, I won’t ever be picking up another one of his stories
again based on this one example. That’s what happens when an author employs:
·
Stilted
sentence structure
·
Clipped
conversation
·
Too
many “main” protagonists
·
Over-detailed
descriptions
·
Gratuitous
explanations of obvious world issues, like readers are idiots who live in caves
·
Not
a single contraction!!!!
Here’s
the thing about that last point… People don’t think or speak in picture-perfect
grammatical sentences. They slur their words together with contractions.
When
you’re chatting with a friend, you don’t say, “I am sorry I was not able to go
to your party last night.” Or if you’re discussing a project with your boss,
you don’t explain, “I am sure this will not work unless we assign Casey to it.”
You
don’t talk like that because that’s how robots talk, and you’re (hopefully) not
a robot. So you instead say, “I’m sorry I wasn’t able to go to your party last
night” or “I’m sure this won’t work unless we assign Casey to it.”
As
fact goes, so should fiction. So the same applies to character creation. Unless
they’re robots – or readers are supposed to roll their eyes and toss the book
aside after five pages – the personalities depicted in novels should use
contractions when they’re speaking. And so should the writer.
Wednesday, November 11, 2015
Keep Writing!!!! Unless This Kind of Thing Happens. Then Who Cares About Your Novel.
I’m
writing this blogpost really late today. Why? Because my beloved younger sister
went into labor on Monday night.
I
did get 2,000 more words written to Designing
America on Monday night. But Tuesday was an absolute wash. I was
practically crying at my desk that morning, drove up to Pennsylvania (where she
lives) that afternoon, and then waited and waited and waited some more that evening.
Don’t
get me wrong. I love my novel-in-the-making. I love the time period
(Revolutionary War), I love the historical details, I love the characters and –
sure – I love my own creative process.
It’s
just that I love my sister so exceptionally, overwhelmingly much more. So while
my fretting away over her experience didn’t do her a single bit of good, I can’t
say that I regret focusing on her instead of my story.
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