This
year, I read two young adult, post-apocalyptic novels that had me appreciating
my editor.
The
first one, I won’t name since I have nothing good to say about it. Well, maybe
one good thing to say: It had a creative premise. But other than that, I was severely
less than impressed.
The
main character was uninspiring, the other characters were un-compelling and the
writing style was lackluster at best. I found myself mentally and emotionally
disengaged almost from Page 1, and the ending made no sense whatsoever. Despite
its supposed cliff-hanger finish, I won’t be wasting my money on either of the
sequels.
Then
there was Powerless, which I loved! I
couldn’t put it down, and I don’t care how much money I have to spend to buy
the next one. When it comes out. Next year.
[Stage Direction: Insert despondent sobbing.]
In
the end, I, as a reader, was so taken with the premise and the characters and
the beginning and the middle and the ending… and… and… and… Okay, you get the
point. I was captivated by this book. I’d recommend it to anyone. In fact, I
already have a few times over.
However,
as a writer, I did notice how there were some issues that should have been
caught before the publishing date. Emotions swung too far and too often, random
plot points were brought up that were never resolved, and I believe there were
a few typos too.
Which
is why I have to hand it to my amazing, beautiful, talented, pain-in-the-neck
editor of an older sister, Christina, who catches stuff like that for me,
including…
·
An
embarrassing amount of adverbs. Sometimes 20 or more per page. I scoffed at her
when she pointed out how many “ly” words I was using… and then I realized she
was right and did something about it, which turned my stories into much
smoother reads.
·
A
“whiny” main character whose emotions jumped around too much. I snipped at Christina
when she called me out on it… but I ended up applying her advice anyway,
ensuring my audience would want to cheer my protagonist on instead of shut her
up.
·
A
bad tendency to get too far inside my characters’ heads, where I fixate on
their mental processes instead of their larger journey. I threw a little temper
tantrum about that one too, but guess what? She was right on that one as well.
It’s
sooooo annoying how often her advice proves accurate and necessary.
That’s
why I have to say, if you find any errors in my stories, it’s because I tried
tinkering with them AFTER Christina handed them back to me.
I
take full blame. Except for being exasperating. That’s all on her.
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